Polish Painter, 1885-1939 .Polish writer, art theorist, painter and photographer. He was the son of the architect, painter and critic Stanislaw Witkiewicz (1851-1915), creator of the 'Zakopane style'  Related Paintings of Stanislaw Ignacy Witkiewicz :. | The Planty Park by Night-Straw-Men (mk19) | Landscape by night | Stanislaw Ignacy Witkiewicz | Laughing boy | Czarny Staw i Granaty |
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Louis de Silvestre
(23 June 1675 - 11 April 1760) was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. Sylvestre was born in Sceaux, south of Paris, the third son of Israel Silvestre, the notable engraver and drawing-master to the Dauphin himself. Louis was taught initially by his father, then trained under Charles Le Brun and Bon Boullogne; he completed his studies in Rome, where he met Carlo Maratta, whose work had a great influence on him. After his return to Paris, Sylvester entered the Royal Academy in 1702 and was appointed professor in 1706.
John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy
rameau
Period: Baroque (1600-1749) Country: France Born: September 25, 1683 in Dijon, France Died: September 12, 1764 in Paris, France Genres: Ballet, Chamber Music, Keyboard Music, Miscellaneous Music, Opera, Orchestral Music